PIX is a hybrid magazine/book. It is dedicated to the art of cinema and its relation to the other arts. PIX questions national and cultural boundaries, both in its coverage and contributors, film-makers, art and film historians, musicians, photographers, painters, poets and ’Pataphysicians.
Any art needs variety in order to thrive; it depends on cross-fertilization, on the circulation of innovation in unexpected directions, on crossing borders, hybridity and nomadism. The past is our best resource for the future, not in its accepted version, which simply reflects present prejudices, but in its byways and overlooked corners. Questions need to be constantly reformulated. Our identity – as people, as artists, or as viewers – is not something fixed. It is something we create and which changes while we journey.